Quantum Conjuration of Venus (3) Multimedia on fabric, 92 x 140 cm

Lion's Gate Multimedia on loose fabric, 104 x 146 cm

Sator Multimedia on loose fabric, 100 x 140 cm

WORKS ON CANVAS
Selection 2016 - 2026

About Gnosis Multimedia on canvas, 92 x 140 cm

Table Cloth Enchantment Multimedia on loose fabric, 104 x 146 cm

Untitled Offering of Red Wine Multimedia on canvas, 110 x 143 cm

Hello Mojo Multimedia on loose fabric, 92 x 140 cm

Elves Get It at the 30th Moon Multimedia on canvas, 200 x 140 cm

Grey Orchard No. 7 Multimedia on canvas, 110 x 143 cm

Rust Bloom Multimedia on canvas, 110 x 143 cm

BACK TO THE CAVES Pop-Up Installation

Back to the Caves transformed an underground car park into a contemporary cavern. Installed along raw concrete walls, the paintings echoed the earliest conditions of image-making — dim light, rough surfaces, and the instinct to leave marks in hidden places. In this improvised subterranean chamber, the works felt less exhibited than unearthed: fragments vibrating against the industrial backdrop, collapsing the distance between prehistoric impulse and urban present. A brief return to origins — beneath the city, back to where images first began.

Fire Loop Fragment Multimedia on loose fabric, 92 x 140 cm

Shiva Memory No. 3 Multimedia on canvas, 104 x 146 cm

The Warm Omen Multimedia on canvas, 110 x 143 cm

Sun Equinox Multimedia on canvas, 92 x 140 cm

Kings & Queens Multimedia on canvas, 115 x 143 cm

Gift for Friend Multimedia on fabric, 102 x 220 cm

Untitled Gift Multimedia on canvas, 96 x 143 cm

PROCESSES & RITUALS

My work often unfolds outdoors or in improvised environments, where the elements become active participants. Water, Fire, Earth, and Air intervene in the surface of the paintings — washing, burning, staining, eroding, carrying pigments into new directions. These gestures are not performances but extensions of the process: ways of letting materials respond, collide, and transform beyond deliberate control.

Each image in this series documents a moment when the painting meets the world directly — on a shoreline, in wind, in firelight, in woodland or snow. The works are shaped by these encounters, absorbing traces of weather, landscape, and time. What emerges is neither ritual nor experiment alone, but a continuous dialogue between intention and the unpredictable forces that complete the piece.

Painting