Thought-Form Codex gathers a series of digital collages that unfold like pages from an impossible manuscript. Composed from hand-drawn diagrams, symbolic fragments, creatures, sigils, and asemic scripts, each work maps the turbulence of inner imagery — part vision, part notation, part dream-logic.
Rather than illustrating ideas, the collages function as thought-forms made visible: chaotic, esoteric, and surreal fields where cognition, instinct, and the unseen interlace. They read like artifacts from a parallel archive — diagrams of forces, impulses, and states of mind that cannot be fully named, only encountered.
THOUGHT-FORM CODEX
A study of how images think before the mind interprets them.
Morphomata explores how forms evolve when handed over to a non-human imagination. Each work begins with one of my original visual constructs — drawings, signals, symbolic fragments — which are then given to AI without correction or directive. No iterative prompting, no refinement. Only a single invitation: reinterpret this.
What returns is not a copy, but a transformation. The machine generates multiple alternative versions, each carrying traces of the source yet drifting into unfamiliar territories. Shapes stretch, mutate, dissolve, or recombine, revealing pathways of meaning not consciously chosen.
The series functions as a study of form under foreign influence — how an initial thought-form morphs when released from authorial control. In this collaboration, ambiguity becomes a generative engine; the images record the moment when intention meets autonomous reconfiguration.
Morphomata is the archive of those transformations: where something drawn becomes something imagined, and the original persists only as a ghost in the new form.
MORPHOMATA
A study of transformation across two kinds of cognition — human and machine.